[…]The US and German military cemeteries in Italy differ greatly from one another in style and message.
Physical characteristics, such as those associated with context, space and style, are shown to express elements of Fascist ideology […]This paper describes the different ways of commemorating the fallen of World War I in Italy between 19.
[…]In 1936, the National Socialist government of the province of Upper Silesia commissioned the Volksbund Deutsche Kriegsgräberfürsorge (German War Graves Commission) to build a memorial to the German Freikorps fighters.
The building, completed in 1938, was located on the Annaberg in Upper Silesia […].
Two special issues on the 19th- and 20th-century art and architecture: Rudolf Fischer from the Archiv der Avantgarden - Staatliche Kunstsammlungen Dresden is currently guest-editing a special issue entitled "Mies van der Rohe und die neue Wohnkultur der 1920er und 1930er Jahre", while Alexandra Karentzos and Miriam Oesterreich from TU Darmstadt and Britta Schmitz from the National Gallery in Berlin are preparing a series of papers on Gottfried Lindauer's New Zealand paintings that breaks new ground in the debate on cultural transfer processes in 19th century.
This article aims to investigate the possible terms and conditions that Mark Rothko imposes on the encounter between painting and viewer, especially concerning the paintings he made for the Houston Chapel, also called the Rothko Chapel, in 1965-67.
[…]By looking at German art historian Ludwig Grote’s efforts for internationalization, which can be traced back through his active involvement with art in and from Brazil, this article sheds light on the problematic relationship between established narratives of Modernism and the diverse archival layers of information accessible today.